What a Friend We Have in Jesus
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Original Post By C. Michael Hawn Edited 7/24 JM
How does a personal poem written to a mother from a despondent son, recently immigrated from England to a relatively remote section of Canada in the mid-nineteenth century, become one of the most widely sung hymns in the world?
Scriven published a collection of his poetic works, Hymns and Other Verses, which included seventy-one hymns “intended to be sung in assemblies of the children of God on the first day of the week and on other occasions when two or three are met together in the Name of our Lord Jesus Christ.” These were followed by thirty-four scriptural paraphrases “not to be sung in the assembly, but to express truth, as well as convey comfort, instruction or reproof to our hearts, in order that we may walk together in obedience” (Scriven, 1869, Preface). “What a Friend,” the hymn for which he is known, does not appear in the collection, however.
If indeed “What a Friend” were composed as a personal poem, it may explain why it did not appear in the collection the author published in 1869. The personal first-person plural perspective contrasts with other hymns by the author. As one author noted, “almost all of his others are more firmly constructed, without emotional softness, and developed from biblical texts” (Macpherson, “Scriven,” n.d.). Carl Daw Jr. has also noted the differences between “What a Friend” and the author’s published works in Hymns and other verses, supporting the hypothesis that the poem was intended for his ailing mother rather than public use (Daw, 2016, p. 470).
Some commentaries state that the text was first published in J.B. Packard’s Spiritual Minstrel: A Collection of Hymns and Music (1857), but this is erroneous, according to hymnologist Chris Fenner (See Fenner, 2020, n.p.). The hymn appeared as we know it anonymously in three stanzas of eight lines each in Social Hymns, Original and Selected (1865), compiled by Horace Lorenzo Hastings. New England composer and church musician Charles Converse (1832–1918) then included the text in his Silver Wings (1870) with his tune under his pen name Karl Reden, a Germanization of his name (“reden” meaning “to speak” or “converse”). He states that he obtained the text from the privately produced hymnal, “Genevan Presbyterian Church (of Brooklyn) Collection.” No copy of this hymnal appears to be extant. Converse’s tune paired with the text gained prominence with Ira Sankey and spread in his revivals with Dwight L. Moody (1837–1899). Published in Sankey’s Gospel Hymns and Sacred Songs (1875), later known as Gospel Hymns No. 1., Sankey mistakenly attributed the hymn to Scottish hymnwriter Horatius Bonar (1808–1889), an assertion disputed by Bonar.
The text has remained unusually stable with few editorial alterations over the years. Edward Samuel Caswell (1861–1938) published an early manuscript version signed by Scriven that was titled “Pray without Ceasing” (from 1 Thessalonians 5:17) in 1919.
Carl Daw offers: “As a hymn of assurance, it has served as an effective reminder of the centrality of prayer in a well-rounded spirituality. Unfortunately, singing it has often been a substitute for
the comprehensive prayer life it advocates, and its advice has been cherished, but not followed” (Daw, 2016, p. 471).
The simple language becomes a virtue in translation, and the folk-like melody easily transcends cultures around the world. The musical treatment of Converse varies in each cultural setting, but the message remains the same. There are few hymns that I have heard more regularly around the world. Scriven’s biographer, James Cleland, noted in 1895, “In the steerage of the steamer, a traveler returning from Europe, heard a mixed company, who spoke different languages, united in singing this hymn” (Cleland, 1895, pp. 5–6). One hundred years later, this song is still sung in various languages and renditions. A modest poem, written in Canada as a private meditation for the author’s mother in Ireland, has found its way into many hearts worldwide and, undoubtedly, has been a source of comfort for millions of Christians for more than one hundred fifty years.
